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Interwar period, totalitarianism and the impact of the avant-garde: "Art Deco"
Main article: Art deco
Chrysler Building, Art Deco style. New York, 1930. William van Allen
The interwar period (1918-1939) is that of the roaring twenties and the depression of the thirties, which witnesses the rise of fascist and Soviet totalitarianism as alternatives to the liberalism of capitalist democracies, branded as decadent. The shipping container houses programs of fascist Italy, Nazi Germany and the Soviet Union, like their aesthetic proposals, range from an initial avant-garde (Russian constructivism) to a repetition of historicist models of occupation of public spaces compatible with a style of easy popular consumption that simultaneously imposes itself on the plastic arts (socialist realism, heroic realism), although as late as 1938 Italian shipping container homes developed programs as avant-garde as the EUR (universal exhibition that was never held, planned for 1942, and that Marcello Piacentini and Giuseppe Pagano planned shipping container housesly, coordinating opposing aesthetic criteria).
However, it was in the socially advanced democracy of Weimar Germany prior to the rise of Nazism that the most important events for the emergence of modern shipping container homes in the sense of aesthetic and functional renewal took place: the works of the Bauhaus school (Walter Gropius, 1919-1933). Republican France saw the rise of Le Corbusier's workshop of comparable influence.